![]() ![]() ![]() The stars had to look amazing, Hawkins had to look like a princess and the bad guys had to look rough and tough.” ![]() Using a mix of gels, LED lights and a diffuser filter inside the film’s predominant single camera, the Arri Alexa XT, Laustsen says: “We tried to light it like it was an old 1950s movie. “The only time we have golden light in Elisa’s apartment is when she’s falling in love with the fish,” says Laustsen. These colours were harmonised across lighting, costumes and set designs, with Laustsen working closely with production designer Paul Austerberry and costume designer Luis Sequeira during eight weeks of pre-production prior to its 58-day shoot in 2016 at the Cinespace Studios in Toronto.įor Sally Hawkins’ character Elisa, key colours in her apartment were blue-green and steel blue, while the lighting was more warm and golden in the apartment of her neighbour Giles (Richard Jenkins). And then we focused on shadows and contrast.” “Greens and blues were chosen to represent water, and red was brought in for life, love and death. “Guillermo is very particular about his vision, and what kinds of colours he wants,” explains Laustsen. Then the conversation about colour began. Laustsen recalls thinking: “How would we ever shoot this?”ĭel Toro’s initial aspiration to shoot in black and white was cast aside after it became evident this would reduce the financing on offer from Fox. The two men were filming Crimson Peak when del Toro handed Laustsen the screenplay for The Shape Of Water - the story of a mute woman falling in love with a captured humanoid-amphibian creature at a high-security government lab in Baltimore, 1962. First working together on Mimic in 1997 and next on Crimson Peak in 2015, del Toro had long been a champion of Danish cinematographer Dan Laustsen’s ability to light with emotion and colour. When Guillermo del Toro’s fantastical love story The Shape Of Water was greenlit by Fox Searchlight, the Mexican director knew just who to call to give the film its distinctive look. ![]()
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